The Bin

Book Reviews: Computer Networking by Michael B. White

Happy Sunday, readers and writers! Today I want to introduce you to a book which might be helpful for those of us who are not the most familiar with wireless technology and how to use it safely (i.e. with proper data security). It’s not an easy book, but it’s fascinating once you get past all the technological jargon. In this post, I am reviewing Computer Networking: The Complete Guide to Understanding Wireless Technology, Network Security, Computer Architecture and Communications Systems (Including Cisco, CCNA and CCNET) by Michael B. White.

Computer Networking covers a wide variety of topics related to wireless technology, including what wireless technology is, examples of wireless devices, how certain wireless technologies work, and even how to stay safe while using wireless networks. By the end, readers will have learned about several of the kinds of wireless technologies and devices used in the modern world and how to use them properly. Additionally, readers will have gained a brief insight into how wireless technologies have come about and evolved as well as what the future might hold for these technologies and wireless networks.

Image retrieved from Amazon

This book is a treasure trove of knowledge about computer networking and all the related technologies. It seems to leave no stone unturned, providing readers at several levels of technological knowledge with something new to think about. Personally, White broadened my understanding of what wireless technologies and devices are and how long they have actually existed. I also learned more about how all of this technology is connected and works together, such as how computer networks are used to control public telephone networks. In this day and age, the information on securely using wireless networks and other wireless technologies will prove particularly useful for those who are not too savvy on how all of this works.

However, this thoroughness makes the book more for readers who already have a basic knowledge of wireless technology. Otherwise, the reader might get a bit lost and confused in that sea of knowledge. Frankly, a lot of the information in the beginning—but after the introduction to wireless technologies and devices—feels unnecessary if you just want to know enough about this technology in order to navigate the modern world. For example, I felt the writing drag down quite a bit as White explained how satellites work. That sort of information seems more like it is for those who are delving deep into how this stuff works as part of a hobby or a career choice, rather than those looking to understand the progressively more advanced technology around them. I also had to re-read many sections in order to understand some of the terminology and processes, which sometimes caused my attention to fade temporarily.

That being said, this guide is perfect if you are truly interested in learning about the wireless world. If you just want to know what wireless technology is and how you can use it, I suggest skipping around to parts like the book’s introduction, the introduction to wireless technology, the introduction to computer networking, the conclusion, and the sections on security in regards to wireless network, data, and wireless technology. Of course, any section which explains what a certain wireless device or technology is will also be a great help to those who don’t know what every single one of these is already. (I severely doubt that any reader will know what all of them are and what they do without any doubts, so I definitely recommend paying close attention to these sections even if you think already know this information.) If you are interested in how we got to this point and where these developments will take us, I also highly recommend reading the sections on the key milestones in computer networking history, the future of wireless technology, and the future of wireless networking.

Overall, Computer Networking by Michael B. White is a great guide for this topic. It’s thorough, well-informed, and well-organized. Still, don’t expect a quick read and do not expect to understand it all from one reading alone. To fully absorb all of the information, you must read the book, or at least some sections, multiple times; you might even have some related terms that you will have to look up. It also would have been useful if White had included resources which readers could use to conduct their own research on the subject. You might even have to find some more basic books if you don’t have a firm foundation with wireless technology when you start reading this guide. If you have a strong, basic understanding of this topic, though, Computer Networking will supplement your knowledge very well and teach you to view the wireless world in new ways.

You can find Computer Networking by Michael B. White on Amazon.

Do you know of any books I should read? E-mail me at thewritersscrapbin@gmail.com and let me know!


Designed by Stephanie Hoogstad circa 2011

Why You Shouldn’t Follow All Writing Advice

Happy Monday, everyone! Here’s to another hectic week. Today I want to talk about something which I think that all writers–authors, poets, essayists, journalists, etc.–can relate to: deciding what writing advice to follow.

A very common procrastination technique for writers is to search for advice on writing. I know I do it. I mean, hey, there are less productive forms of procrastination, right? It’s better than spending all day on Facebook or playing solitaire. Of course, if you spend too much time doing this, you’ll lose all your writing time. However, there is another–equally prohibiting–problem which results from searching for writing advice: you follow it too closely.

How can you follow writing advice too closely, you might ask. Surely it is posted online and published in books so that people can follow it, and how can you go wrong when the advice comes from a famous writer? While famous writers are genuinely trying to help others (or make some easy money) by giving them guidelines or rules to follow, there’s just one problem with their generosity: they are telling you how to write like them, not like you.

I encountered the matter recently on a post published five years ago on the blog Published to Death. In it, the blogger explains some of the flaws with the advice Stephen King gives in his book, On Writing: A Memoir of the Craft and how it is flawed. She also explains that following King’s “rules” will make your writing sound like, well, King’s writing. But, as this article points out, do you really want that?

Image retrieved from Amazon

I cannot personally attest to how King presents his advice on writing. Truthfully, I’ve never read it. However, I do know that many writers, while trying to express what works for them, make it sound as though their way to write is the only right way. Needless to say, that is wrong, but often novice–and even experienced–writers try and follow their word as though it’s gospel.

The aforementioned blog post points out a key reason as to why you should not heed even famous writers’ advice this closely: no one can teach talent. Famous authors, poets, essayists, etc. write intuitively. They just know what works and what doesn’t and, when faced with negative feedback, they can usually figure out a suitable fix. This comes from a natural talent that has been nurtured and built upon for years. They have learned what hits a harmonious note with their writing style and talents, and they use this knowledge to their advantage. Unfortunately, that is not something you can teach someone else in 100-200 pages or in a semester-long class.

Does that mean that only the anointed few can become successful writers? Of course not! Anyone can learn and work to improve their writing skills and cultivate their unique voice. You just can’t expect that by following a famous writer’s advice that you’ll magically become a critically-acclaimed and/or bestselling author.

It is a good idea to listen to and learn from a more experienced colleague’s advice. Still, you need to remember that your writing must be your writing in your voice. Collect all the wisdom you can and then customize it. Find out what works for you, what doesn’t, and use your new tools accordingly. No one understands your style better than you do, so only you can decide how you should write.

Do you read advice on writing? Or do you avoid it? If you do read it, how do you choose which advice to follow and which to ignore? Leave your thoughts in the comments below!


Designed by Stephanie Hoogstad circa 2011


Introducing The Writer’s Lounge

Greetings, readers and writers! Long time, no read. I know I’ve been gone for a while, but there’s a reason for the absence. Several reasons, actually. The first is all the work I’ve gotten myself into lately. (Don’t get me wrong, I love the income, so keep the work coming!) Another is that the third year of my master’s program is starting soon, which has required some mental preparation on my part, not to mention our first feedback session is October 22nd. The most important reason, however, is that I have been working on some changes and updates for this blog. Namely, I’ve been working on an affiliated forum called The Writer’s Lounge.

The Writer’s Lounge is a lot like The Writer’s Scrap Bin but more interactive. This forum will allow you to meet your fellow writers, share advice and tips, exchange contest and submissions information, and post your works in progress for feedback. There’s a space to promote your work (using a reasonable number of posts) and let others know when you’re holding a contest, raffle, whatever related to your book. You can even discuss your favorite (or least favorite) books in the section titled Book Club or just shoot the breeze with other avid readers and writer in the General Discussion board.

For now, The Writer’s Lounge is only available in English. The Tapatalk Control Panel allows users to change their language but, unfortunately, this setting does not change any of the posts. So, until I discover some other solution, everything will be in English. My apologies to my international readers who rely on the Google translate tool WordPress provides in order to read this blog.

Also, if you wish to read and participate in the forum, you will have to register as a member. I have learned from past experience that it is best to set it so that only members can read the posts. Don’t worry, though; registering is absolutely free, and if you’re already a Tapatalk member, you can just log into your Tapatalk account to access the posts.

If you’re looking for a supportive group of writers with which to share your knowledge and get advice and feedback, please come check out The Writer’s Lounge. I will be checking on the forum regularly and look forward to meeting all of you!

If you have any questions, comments, or concerns about The Writer’s Lounge, please leaves your thoughts in the comments below or e-mail me at thewritersscrapbin@gmail.com.


Designed by Stephanie Hoogstad circa 2011

New “Hire Me” Page

Happy Hump Day, everyone! I’ve been working on some minor adjustments to this blog, and one of the bigger changes I wanted to let my readers know about is the new Hire Me page.

As many of you already know, I work as a freelance editor, writer, and beta reader. While most of my work has been through Fiverr, I also receive jobs through this blog and via e-mail. Previously, I bundled the Hire Me page with my Contact page. However, I have decided that that page has become too crowded and a redesign was needed.

Image retrieved from Metro Writers in Residence

In addition to separating my hiring information from the main contact information, the new Hire Me page includes a slideshow of works that I edited post-publication, another slideshow of works that I have edited or am currently editing before their initial publication, and a list of my basic rates. I have also decided to include an FAQ section which I will update as the need arises. You will find a selection of reviews I have accumulated on Fiverr as well, all of which have attributed to my 5-star rating as a Level Two Seller on that site.

Furthermore, I plan to start a new feature on the homepage: Featured Gig. This feature will include a brief description of one of the kinds of jobs I do, my starting rate for the gig, and ways in which one can contact me either to hire me or ask for more information on the gig. I don’t know when exactly I will launch this part of the homepage, but keep your eye out for when it finally starts.

If you have any questions about how to hire me, please check out the new Hire Me page. If you have any questions regarding this change to the blog or any which will occur in the future, you can reach me at thewritersscrapbin@gmail.com.



Designed by Stephanie Hoogstad circa 2011


The Gray Area for Ghostwriters

A few weeks ago I wrote a post about some basics which writers should consider before they dive into the world of ghostwriting. While doing my research for that post, I was reminded quite readily of the stigma around ghostwriters. One of the Google search results that particularly amused me was “Is ghostwriting legal?” I’ll be honest, that question hadn’t even crossed my mind until I came across that result. Ghostwriting has existed for so long with no extreme moral repercussions (like those involved with the world’s oldest profession), so why would anyone expect it to not be legal? It made me wonder: exactly how murky is the gray area of ghostwriting? Why is ghostwriting and hiring a ghostwriter considered questionable ethically?

The term “ghostwriting” originated in the 1900s, but ghostwriters are nothing new. In fact, the use of this practice in American politics alone traces back to George Washington himself. However, that doesn’t keep the concept from having a dirty feel to it. The stigma has existed for as long as the profession itself. After all, it’s a good and, presumably, experienced writer doing some or all of the work with the credit going to their client. It doesn’t seem fair to the ghostwriters, especially if they don’t get so much as a note in the acknowledgements, an increasingly common practice. It’s no wonder that there are such mixed feelings about the matter even today.

Image retrieved from BookMachine

In an article written for California Magazine, Sarah Elizabeth Adler interviews several ghostwriters. Some of these writers have experienced the disdain some people have for ghostwriting while others have noticed an increasing respect for it. Barbara Feinman Todd, one of the collaborators on Hillary Clinton’s It Takes a Village, says in the article that she remembers a book editor once calling ghostwriters “basically typists”. On the other hand, Marcia Layton Turner, founder of the Association of Ghostwriters, has “‘noticed a shift from shame to pride’ both in being and using a ghostwriter.” With ghostwriters themselves having such mixed experiences, it’s hard to say who will think what about the profession.

The feelings aren’t quite as mixed on the client’s side as some ghostwriters and clients would have you believe. Adler notes the backlash which Clinton received for using ghostwriters and not giving them acknowledgement at first–an argument, by the way, which Feinman Todd wanted nothing to do with. There was even some cat-fighting on Real Housewives of New York City in 2014 in which the use of a ghostwriter is thrown around as an insult. Despite the clients usually being brilliant in the areas their books are exploring, people begin to doubt their expertise once they learn that the clients did not write their books alone. Ghostwriters might be getting more respect, but it seems that their clients are not.

Ghostwriting has been in this gray area for quite some time. Ghostwriters can be seen as commercializing their art, and their clients can come off as deceptive and ungrateful to their ghostwriters. The top unwritten rule of ghostwriting used to be to never try to fool readers into thinking that your client wrote the book all by themselves; after all, most people are too smart for that and will take it as an insult to their intelligence if you try to pretend otherwise. Nowadays, though, it seems that that rule has fallen to the wayside and, just as predicted, readers are offended not by the ghostwriter but by the client. With this increase in deception and shadowy dealings, it’s no wonder the profession has become so questionable ethically.

In general, there is nothing wrong with ghostwriters and their work. We might not have half the novels or speeches, especially biographies and political speeches, that we have without them. However, it is still an area which both writers and clients must tread through lightly. After all, one man’s collaboration is another man’s deception.

What do you think? Is ghostwriting a valid form of writing and making money? Is it a shady deal? Or is it somewhere in between? Leave your thoughts in the comments below.


Designed by Stephanie Hoogstad circa 2011


Special Announcement: Kickstarter for Natir Whitebridge

Happy Monday, everyone! It’s hard to believe that it’s almost September already. Funny how, as an adult, time has a way of escaping you. I only noticed that August is almost over because of deadlines and the fact that I’ll be starting the third and final year of my Master’s program in late September. Speaking of deadlines, I’m actually here to tell you of a Kickstarter campaign for Natir Whitebridge by Ameel Koro with a deadline of October 15th.

My regular readers are probably familiar with Ameel Koro already. He’s the author of the Sister of Echo novels, and my most recent post was an announcement for the teaser chapters for Natir Whitebridge. Like many of my readers, Ameel is a self-published author with limited funds. Unfortunately, as you all know, publishing a book takes money, a lot of it. From editing and cover design to actually printing the books or online publication, the costs add up pretty quickly. That’s one way in which writers can help each other.


Image retrieved from Ameel Koro’s website

This Kickstarter campaign, which has a goal of $15,000, will cover the costs of professional editing, printing, promotional products, and online marketing for Natir Whitebridge. The campaign also offers different displays of gratitude based on how much is donated:

  • Pledge $1 or more: Get your name put on the “Acknowledgements” page of the book
  • Pledge $100-$249: Your name on the “Acknowledgements” page plus a free, signed copy of the book and your choice of a Celtic necklace (fourteen options total)
  • Pledge $250 or more: Get your name on the novel’s “Honor List”, which will be at the beginning of the book, plus a free, signed copy, three Celtic necklaces of your choice, and one picture locket of your choice (three options total)

So, if you want to help a fellow writer publish his work in a professional, well-planned manner (and get some cool prizes to show off to your friends), follow this link and show your support. Even $1 will help. If you would like to sample the book first, you can find the teaser chapters here.

Remember, due to the nature of Kickstarter, all the funds for this campaign must be raised by October 15th or else Natir Whitebridge will not receive any of the money, so make sure to contribute and spread the word!

Are you trying to raise money to publish a book or know someone who is? E-mail me at thewritersscrapbin@gmail.com with the details and your campaign might appear on this blog.


Designed by Stephanie Hoogstad circa 2011

Special Announcement: Teaser Chapters for Natir Whitebridge by Ameel Koro

Well, folks, I have another treat for you today. Ameel Koro, author of the Sister of Echo books, is writing a new novel called Natir Whitebridge: A Grain of Respect. In this latest endeavor, Koro explores a dark, ancient world of greed, violence, strength, slavery, and lost pagan cultures. If you enjoyed Sister of Echo, Natir Whitebridge will not disappoint.

Here’s a description of the book which can be found on Koro’s author website:

Natir’s life has been one of abuse and slavery, and it’s about to get even harder; she’s been sold in a new land to a ruthless man, Cahal, and once her master gets bored with his new property she can only expect the darkest fate for her and her daughter, like all of Cahal’s slaves to come before her.

Things take a turn for the worse when Cahal’s half-brother, Alfred, who ousted Cahal as Earl of the Toic, starts to show an interest in her.

Sensing an opportunity for revenge, Cahal changes his plans for Natir and forces her instead to become a sacrifice-pawn in an assassination plot to take back his throne.

With her daughter’s life at stake, Natir can only oblige to her master’s wishes, but she will soon discover that Alfred’s interest in her is nothing like what she had expected, and that the madness which reigns in him is about to unleash a very dangerous side of her which she herself never knew she had.

While still in the editing stage, Natir Whitebridge promises to be an exciting, fast-paced story with plenty of twists, turns, and questions to keep readers on the edges of their seats. Fantasy, paranormal, and thriller fans will certainly want to check it out once this book is released. However, you don’t have to wait for the official book launch to get a taste of this page-turner.

In a special promotion for the upcoming novel, Koro has made the first two chapters available for reading on both his website and Wattpad.


Image retrieved from Ameel Koro’s website

Trigger WarningNatir Whitebridge by Ameel Koro contains adult content including, but not limited to, slavery, profanity, sex, rape, abuse, violence, and torture. If you are under the age of 18, are triggered by such depictions, or otherwise wish to avoid them, proceed with caution.

If you do read the teaser chapters, be sure to leave your thoughts about the story on its Wattpad page. Authors love feedback–just remember to stay civil!

The current anticipated release date for Natir Whitebridge is October 2018. In the meantime, keep checking The Writer’s Scrap Bin and Koro’s website for updates.

Do you know of any upcoming and/or indie titles that deserve more attention? Are you about to release a new novel or collection? E-mail me at thewritersscrapbin@gmail.com and an announcement might appear for it on this blog.

 


Designed by Stephanie Hoogstad circa 2011

Book Reviews: Modern Real Estate Investing by John Harvey

So much to talk about, so much to do, and so little time and will for any of it. TGIF! I hope everyone has had a good and productive week. I’ve been thinking a lot about investing lately (mostly thanks to mirco-investment apps like Acorn and Stash), so I thought I would start the weekend off with a review of a book on a particular kind of investment: real estate. Today, I’m reviewing Modern Real Estate Investing by John Harvey.

There is no such thing as “easy money.” Some sources of income, though, are easier than others, even in the elaborate and confusing world of investment. But with the wide variety of opportunities and significant risks, which investment is the easiest option? There is no “one-size-fits-all” sort of investment guaranteed to be easy and right for everyone. Nevertheless, the experts at Cornerstone Real Estate Investment Services recommend those looking for a truly passive, tax-sheltered income consider a little-know kind of real estate investment for an easy monthly income: a Delaware Statutory Trust, or DST.


Image retrieved from Amazon

In their new book Modern Real Estate Investing, John Harvey, David Kangas, and Trawnegan Gall of the Cornerstone firm give readers an in-depth analysis of this unique investment category. The book covers almost everything that a potential investor would want to know: what a DST is, its history, the advantages and disadvantages, the risks, etc. Case studies, charts, tables, and other visual aids accompany the information, making the more complicated concepts accessible. By the end, readers will have everything they need in order to make an informed decision on such an investment; whatever they don’t understand, the appendices and list of resources in the final pages can surely help clear up.

First and foremost, I should mention that the writers are surprisingly balanced in their presentation of the information. Of course, they focus on the positives of the DST as they are trying to convince readers that it is a viable investment opportunity. Regardless, they also thoroughly cover the disadvantages and risks. They do not hide anything just because it will make the option seem less appealing; instead, they show the reader everything about the trust and the structure behind it, even the illiquidity and lack of control over the property. Yet they also emphasize that the good outweighs the bad, allowing readers to make their own decisions while providing them with some necessary guidance.

I must say that this is not a light read. Given the subject matter, Modern Real Estate Investing utilizes a lot of financial and legal jargon. Fortunately, the writers explain each concept enough that even a novice will, eventually, understand what is being said; just don’t expect the experience to be effortless on the reader’s part. The topic also makes the writing rather dry. However, it picks up when discussing the advantages of a DST and when demonstrating the potential financial gain. The visual aids and case studies, which are themselves diverse and fascinating, keep the reader from being too overwhelmed by the facts. As all the information is crucial, one must just take the dull with the exciting.

That being said, this book is a must-read for anyone looking to enter the world of investment or diversify their portfolio. Career people wanting to supplement their income will especially need this book. As the writers explain, the DST is passive income that does not require the investor to take care of the property as other real estate investments do, and so the DST is ideal for people who simply cannot devote the time to being a landlord or hands-on investor. First-time investors will also appreciate the comparisons with other forms of investment, which will help them to decide whether or not the DST is the right investment for them to make.

Now, not everyone should read this book. In all honesty, those with lower incomes will not find it very useful. After all, the average investment for a DST is $100,000 ($25,000 for a direct investment). At more than 300 pages long, this book would take too much time from those without true interest in investment. Clearly, the writers are not presenting a “get rich quick” scheme. Still, Modern Real Estate Investing is an eye-opening glimpse into the structure and process of some forms of investing, and so those with a genuine interest in investing, regardless of income, will find it worth the read.Overall, Modern Real Estate Investing by John Harvey, David Kangas, and Trawnegan Gall is both informative and helpful. The writing isn’t the most engaging, but you will not find a more comprehensive guide to the DST. Best of all, as one author is the owner of Cornerstone and all three are licensed general securities representatives, you know the writers know what they are talking about. Before making any real estate investment decisions, read this book. You’ll be glad that you did.

You can buy a paperback copy of Modern Real Estate Investing by John Harvey on Amazon and through Barnes & Noble.

Do you know of a book I should read? E-mail me at thewritersscrapbin@gmail.com and let me know!

 


Designed by Stephanie Hoogstad circa 2011

Ghostwriting Basics Every Writer Should Know

Ghostwriting can be a great source of income for both experienced and struggling writers. Once a writer develops a strong enough reputation, he/she can even start working with celebrities and other public figures through this occupation. In fact, bestselling ghostwriter Andrew Crofts charges fees averaging six figures and has worked with the likes of Alexandra Burke (The X-Factor) and Pete Bennett (Big Brother). But what exactly does ghostwriting entail? Through a mixture of very recent personal experience and online research, I’ve compiled a list of what I believe are the most important things that a writer needs to know/understand before deciding to delve into the complicated–and sometimes thankless–world of ghostwriting.


Image retrieved from Andrew Crofts’s website

          1. Pricing is tricky.
            Knowing what to charge is probably the most confusing and stressful part of any freelance work. What’s worse is that you’ll always get different advice, sometimes drastically different, depending on where you look. Ghostwriting is the same way. I’ve come across places saying that you should receive 10-33% of the advances plus royalties and others that suggest $5,000-50,000. (Mind you, that’s just for books; articles and blog posts are an entirely different can of worms.) In addition to the kind of writing that you’ll be doing and the length of the piece, you have to take into account research, the writing tools you’ll have to use, and even the clients themselves and the platform through which they contact you when pricing your services. For instance, you can expect to be paid much less for ghostwriting an article for a blogger on Fiverr than when a well-known online newspaper or magazine contacts you or you pitch an article to them. I’ll admit, I still struggle in this area. I undersell myself often, but I’m working on it. The best I can offer for guidelines is this pricing guide from Writer’s Market. However, remember to do your own research before giving a client a quote. Start high and then offer to lower it if necessary. That way, you won’t be cheated or sell yourself short.
          2. Timelines vary.
            Ghostwriting projects are just like any other writing project; some will take longer than others, and you never know how long it will take you ahead of time. You can give your client an ETA for the first draft, but there’s always a chance that you’ll have to move that deadline at least once. Hopefully, the client will be flexible enough to allow such extension within a reasonable time frame and for a reasonable amount of times. If your client is a stickler for the initial deadline, though, it’s still doable. Just expect a lot of late nights and a lot of stress.
          3. You have to be careful where you offer your services.
            There are a lot of places to offer your services both as a freelancer and as a writer. However, not all of these places will serve ghostwriters well. Places like Upwork and Fiverr take a cut of your earnings, and platforms like Fiverr in particular require you to be more flexible (and cheaper) with your prices in order to get much business at all. From my personal experience, places like Upwork are overly strict, allowing for very little or no slip-ups even momentarily, and seem more on the client’s side than the freelancer’s. Most of these platforms also have the potential to hook you up with scammers, something which I have encountered at least once on one of these sites. The only way to know which will be best to promote your services is to try them out for yourselves, including sites and organizations specifically made for ghostwriters. Huffington Post, in telling clients where to find ghostwriters, lists the following sources as places where ghostwriters can sell their services: ghostwriter agencies, LinkedIn, freelance writer marketplaces, Reedsy, MediaBistro, American Association of Ghostwriters, Freelance Writer Search, Upwork, Scripted, Guru, Fiverr, and, of course, the ghostwriter’s own website.
          4. The client calls the shots.
            This one might seem pretty obvious given the nature of ghostwriting, but it’s also very easy to forget. You’re not in control of what you write, not entirely. The client has the last say. If you disagree with them on something, you either have to convince them to see it your way or concede and make it as they have specified. Usually the latter occurs. It’s no big deal; it’s part of the job description. Nevertheless, if you find yourself constantly arguing with your client, feeling unheard, or just feeling frustrated overall, you might want to reconsider continuing a working relationship with this individual. You also have to watch out for the clients who ask for rewrite after rewrite after rewrite. You have to draw the line somewhere. On Fiverr, this means making sure to specify a number of revisions you will allow. On Upwork, it means making sure that you have copies of the messages in which you tell the client how many rewrites you will be willing to complete. Outside of freelance sites, it means having the client sign a contract which clearly states how many rewrites your service will include and the price of additional drafts. It’s a pain in the butt, but endless rewrites are even worse.
          5. You won’t always agree with what you’re writing.
            Because of #4, you might not always agree with what you’re writing. You might not like the genre, the topic, the messages, the writing style, etc., but it’s really not up to you. After all, it’s the client’s vision that you are trying to bring to life, not yours. Unfortunately, when it comes to things like the topic, messages, or themes, this issue can become particularly bothersome. You always have the choice to walk away from a project before you start it if you learn something about it with which you vehemently disagree. However, it’s not always that easy. Writers have to eat, and sometimes it’s a choice between money and values. I’ve had such an experience before, ghostwriting something which contains messages that I don’t necessarily support. Still, the person was nice and easy to work with and I needed the money, so I took the job anyway. Such projects kill you a little inside, but sometimes it has to be done. Just remember that you always have the option to work against any negative influence by publishing your own works and, sometimes, your name won’t even appear on what you have ghostwritten.


            Image retrieved from GIPHY
          6. Your name might not be on the final product.
            That brings me to the final point of this post, which is a mixed blessing: your name might not be put on the final product. According to The Guardian, Christy Walsh, who coined the term “ghostwriter”, set a strict code of conduct for ghostwriters with the first rule being “Don’t insult the intelligence of the public by claiming these men write their own stuff.” The article in The Guardian claims that this rule still holds true, with many books including such credits as “written with”, “edited by”, or “as told to”. Regardless, this is not always the case. Ghostwritten articles, blog posts, and books, especially those that are not of a biographical nature, can easily be attributed to the client or even a pen name, excluding the ghostwriter altogether. Even some ghostwriters given credit are only partially credited no matter how much they actually contributed. If you want a good example, check out this article on the man who ghostwrote President Trump’s The Art of the Deal. Ghostwriting can be a thankless job, but if you have issues like #5, that’s not always a bad thing.

Ghostwriting is not for everyone. It takes a lot of time, effort, and patience with little acknowledgement. Still, for writers in need of money (which is most writers), it’s a viable solution. You just have to be prepared for all that it involves.

Have you been a ghostwriter? Collaborated with one? Whichever end of the partnership you were on, what was your experience like? Any words of advice? Leave your thoughts in the comments below!


Designed by Stephanie Hoogstad circa 2011

Book Reviews: Where Wildfires Glow by Mutch Katsonga

Trigger Warning: The book reviewed in this post, Where Wildfires Glow by Mutch Katsonga contains depictions of abuse and violence. If you are triggered by such depictions or otherwise wish to avoid them, proceed with caution.

Well, everyone, my county has been through Hell the past week, but for the most part, we’re still here. In case you did not see in my previous post, a rapidly-growing wildfire has been devastating my neck of California, getting within twenty miles of my parents’ house. Fortunately, the fire has since changed directions and slowed down its growth, and our amazing firefighters have now brought it to thirty percent containment. Unfortunately, we’re not out of the woods yet, as made evident by the fact that my grandparents’ area is still under evacuation orders. Still, life goes on, and I am here to bring you another book review. Proving that the universe has a twisted sense of humor, today’s book is Where Wildfires Glow by Mutch Katsonga.

The grass is always greener on the other side. At least, that’s what they say. We always envy those who have more than us materially. We assume that because they have a good house, a nice car, and financially comfortable lives that they must not have any problems to complain about. Yet money or no money, all humans have problems and at one points, everything has to come to a head. Such is life at Resnik Manor in Mutch Katsonga’s Where Wildfires Glow.


Image retrieved from Amazon

State Trooper Elmer Reed is on the trail of a supposed stalker terrorizing hikers and campers. He has finally caught up to the suspect, and things are about to take a very bizarre turn. Instead of an adult creep, Reed has discovered a twelve-year-old runaway from one of the richest, best-known homes in the area, Resnik Manor. But who is this boy? If Resnik Manor is so well-off, why did he run away? Most importantly, what will become of him now that he has been caught by the authorities?

What unfolds is the heart-wrenching story of a poor boy forced, alone, into a very unfamiliar environment filled with lies, deception, sex, alcohol, and violence. Where Wildfires Glow follows this boy as he tries to adapt to his new life, survive mistreatment, and make sense of this complex, drama-filled family which has taken him in. While everyone, including his social worker, thinks that he is lucky to be taken into this world, looks can be deceiving. After all, everyone has skeletons in their closet just waiting to claw their way out into the open.

Regular readers of this blog might recognize Mutch Katsonga as an author I have reviewed before, first for Beyond the Spiral Gates and then for The Ghost Years. I have come to expect emotionally real, dark, and somewhat bizarre stories from this author, and I am happy to say that Where Wildfires Glow does not disappoint. That also means that this story is not for the faint of heart. Katsonga ensures to keep things just detailed enough readers to understand what is happening while not being overly-graphic. Regardless, the inclusion of child abuse, teenaged sex, and alcoholism is not censored or softened. They are represented in their full reality, something which sets Katsonga apart from and above other writers like him but might also cause more sensitive readers to steer clear of his works.

Where Wildfires Glow explores parts of society which are too often overlooked in mainstream works, including homosexual couples, single-parent families, and abused children. Better yet, Katsonga does not just make the characters stereotypes; he explores their individual personalities, making each character stand out as unique individuals. From Dave, the “Clark Kent” tutor, to Raven, the Gothic and rebellious teenager, and even the main character himself, each character clearly has their strengths, their weaknesses, and their vulnerabilities, some of which are puzzling until revelations are made later in the story. Yes, some character stereotypes are used—Raven in particular comes to mind here—but Katsonga turns these stereotypes on their heads and uses them as a way to critique how we view “different” people through a very shallow lens.

There is a lot of exposition and commentary on the lessons and emotions the character face in the narration. At first, I thought this would annoy me as I am usually a strong advocate for “show, don’t tell” unless the writing style calls for a different approach. In the case of this novel, it seems that the writing style does justify “telling” over “showing”. I soon found that the exposition and commentary enhanced my emotional engaged with the story and established a certain tone and much-needed backstory, and the story would not be the same without it.

Katsonga takes some chances in the writing style of this novel, in particular with trying to write a journal entry, in a transcript style for a radio show, and trying to record TV coverage of an event. I believe these risks paid off, although more so for the transcript and TV coverage than the journal entry. These experiments make the book even more realistic, especially in regards to how tragedies are covered, and most of the methods are executed surprisingly well.

My only real complaint comes from some proofreading errors in the copy I read. A few were more noticeable, such as a missing word here and there, but most were minor enough that only a perfectionist such as myself would notice. They do not detract from the overall quality of the work; I would just like to see better proofreading in today’s novels overall.

All in all, Where Wildfires Glow is a wonderful, if emotionally draining, read. The writing is brisk and easy to get through, making the 296 pages a quicker read than one would expect. Katsonga combines controversial topics with a creative, experimental writing style to create a gripping, emotional, and all-too-real novel. While some of the events in this book are extraordinary and make the book border on the supernatural, they also help make the story feel even more real as they highlight some of those feelings most common among humans: grief, loneliness, sadness, and, at the bottom of this Pandora’s box, hope.

You can buy Where Wildfires Glow by Mutch Katsonga on Amazon.

Do you know of any books I should read? E-mail me at thewritersscrapbin@gmail.com and let me know!

 


Designed by Stephanie Hoogstad circa 2011