Book Reviews: Of Cats and Sea Monsters by Wren Cavanagh

Trigger Warning: The book reviewed mentions, although does not directly depict, abusive relationships for one of its female characters. While only the most basic and necessary images are very briefly painted to show readers the nature of these relationships, survivors of such situations should proceed with caution.

For this post, I’m going to review Of Cats and Sea Monsters, book two of the Cat Daddies Mysteries by Wren Cavanagh. This novella, brought to us by the author of “Goblin’s Amends”, consists of magic, mystery, and traces of gruesome monster action. Cavanagh graciously sent me an advanced reader copy in exchange for my honest review and, as with Summer of Magic, I was more than happy to read it.

At 162 pages, this story carries quite the eclectic symphony of plot threads. To give you a proper idea, here’s a rough recipe for Of Cats and Sea Monsters:

  1. Start with one cup of That Darn Cat
  2. Add a pound of Scooby-Doo on Zombie Island and All Dogs Go to Heaven
  3. Sprinkle a pinch of reverse- Dolittle
  4. Finally, stir in sea monsters, demonic creatures, and human greed until your heart pounds.
Image retrieved from Amazon

The book starts by introducing readers to Pekkala “Pekkie” Kobold, a worker from Urchin Cove’s local library, as she prepares to take pictures of two merman-like sea monsters at Green Waters Marina. Instead of capturing images that would’ve made Ripley jealous, Pekkie finds herself documenting one man murdering another in cold blood on a nearby boat. Fast forward two weeks and her beloved cat, Macaroni, is brought into Dr. All L. Medley by the chief of police. With the cat starved and injured and the Kobold home thrashed, one question is on everyone’s minds: where are Pekkie Kobold and her husband?

What ensues is a tangled web of mystery, crime, red herrings, and one cat determined to solve it all: Jericho, Dr. All’s cat sent by the Almighty to protect the residents, both human and animal, of Urchin Cove.

Cavanagh skillfully releases hints throughout the novella that let the reader determine who is responsible for Pekkie’s disappearance, but you won’t be entirely sure until close to the end. I thought I knew about halfway through but I still questioned myself until a couple chapters before the epilogue.

This story contains more mystery than this one disappearance. Added to the mix are a third missing person, a priceless watch that’s nowhere to be found, and the sea monsters Pekkie tried so hard to capture on camera the night she witnessed the murder.

More enthralling than the mysteries are the characters themselves. Cavanagh gives readers All, the new and reckless (with his own safety) vet with a thing for Chief Gallia; Rain, the crooked and secretive mayor; Edith, the elderly guardian of the town; Ness, the flirtatious rookie officer, and her crush Ray Black Otter; and Morgana, a small, innocent kitten taken in by All and Jericho. Last but certainly not least we have Jericho himself, a wise—and occasionally wise-ass—cat who knows just which strings to pull in order to solve all the mysteries and combat the numerous negative influences threatening the small Oregon town.

Even the two sea monsters serve an intriguing role beyond their pivotal parts in the plot. In a way, these creatures act as a symbol for Pekkie’s husband and ex-boyfriend. They seem kind and tamable at first but are quick to turn into ravenous, blood-thirsty beasts once they trick you into getting too close to them. The parallel works in other ways but, due to the possibility of spoilers, I will leave my analyses at that. Suffice to say that whether or not Cavanagh consciously constructed this symbol, it raises the intelligence of the narrative to a level it may not have achieved otherwise.

This book grabbed me from page one and ripped me through a heart-racing narrative that makes me want to read more. Sometimes I was a little lost as this is the second book in a series. However, Cavanagh immediately catches new readers up without having to read the first book and without bogging down the story too severely. Of course, I still plan to read the first installation. It’s just nice to be able to pick up whichever book I come across and understand what’s happening.

Vivid imagery and not-so-subtle socio-politico-economic commentary piqued my interest early on, and these elements continued to captivate me throughout the story. Cavanagh handles the action scenes with a much better mastery of pace than in “Goblin’s Amends”. They are gripping, heart-pounding, and quick but not too quick.

Still, the story is not without its flaws.

I noticed several grammatical errors, including oddly-fragmented sentences, run-on sentences, and missing commas. I tried but could not justify these errors based on writing style or the context of the narrative. As a fellow writer, the editing issues distracted me. As a reader, however, I had to continue; Cavanagh depicts such an engaging world and relatable characters that I simply had to find out what happened.

The dialogue for the humans comes across rather stiff as well. There is, sometimes, an awkward lack of contractions. Nevertheless, these speech patterns work for animals like Jericho and Macaroni. I can’t put my finger on it but the formal speech for Jericho and the broken speech for Macaroni fit their respective speakers, a trend which continues for all the domestic and wild animals.

I had a hard time suspending disbelief for some events of the story, such as when a character had a “feeling” they should go somewhere. While that does happen in real life, it can be too coincidental in fiction. Cavanagh also introduces so many characters that, at times, I got confused as to who was whom. Not all the players maintain a significant role in this novella, though I caution against judging the story for it as it is part of a series. We all know that in one book a character will seem inconsequential but will then become the hero of the next. All we can do is wait and see what Cavanagh does with this vast population in upcoming installations.

The ending bewildered me. It got my blood pumping and I can’t wait for the next book. Still, the section titled “1935” felt out-of-place and I was confused about who most of the characters were. This issue is cleared up by the final paragraph, but I scratched my head for a while and had to re-read that section. I can’t discuss anything else without giving crucial plot points away, so I’ll let you read the book and assess the end for yourself.

If you love mystery, magic, sea monsters, and cats, I strongly recommend Of Cats and Sea Monsters. You’ll be glad it’s a quick read; you won’t be able to put the e-book away until you’re finished. I can’t wait to see what else Cavanagh has in store for All and Jericho.

To snag your copy for only $0.99, follow the ad below.

Here’s a bonus: the e-book concludes with a free copy of “Goblin’s Amends” from Summer of Magic.

Image retrieved from Help Grey Beat Cancer! GoFundMe page

Want another bonus? All of the July proceeds are going to the campaign “Help Grey Beat Cancer!” You don’t have to buy Cavanagh’s novella to support this cause. Just follow this link to the GoFundMe page and donate directly.

For more information about Wren Cavanagh, Notch Publishing, and future Jericho books, be sure to visit their website.

 

Designed by Stephanie Hoogstad circa 2011

Writing and Religion

A few weeks ago, I reviewed Samantha Ryan Chandler’s A Love Story: How God Pursued Me and Found Me, an Impossibly True Story. Later this summer I also plan to read and review Anne Rice’s Memnoch the Devil. For that reason, I think it’s time for me to broach a controversial subject: writing and religion.

Before I start, I should cover a couple matters. The first is a reminder to all my readers to conduct themselves civilly and maturely in the comments. I have not experienced any problems yet but I know that we are treading on uneasy ground with this topic, so I want people to remember that we encourage conversation and debate as long as everyone remains respectful.

Secondly, I want to provide a brief overview of my religious background and beliefs. I feel I should give you an idea about my beliefs so that you’ll understand where I’m coming from with this post. I’ll try not to ramble so bear with me:

My mother is non-religious but had many religious Southern relatives, so she has some knowledge of the Christian religion. As a child I had a children’s Bible, and Joseph’s story was my favorite in it. I knew it as “Joseph and the Technicolor Dream Coat”.
Image retrieved from this website
I grew up in a non-religious household within a county dominated by Christians. My parents wanted me to be open-minded, at least my mother did, and so I have learned about as many religions as I can since I was a child. I attended religious release at a local Christian church in elementary school. I have also studied the Bible as literature and I find parts of it interesting. I have also read about other religions such as Judaism, Islam, Hinduism and other polytheistic religions, etc. Through self-reflection and deep thought, I decided, as my parents did, that Christianity does not encompass my beliefs, nor does any other religion.

I call myself “agnostic” because my beliefs do not fully fall under any established religion. There’s no accurate term for my beliefs. The best way to describe me would be to call me “spiritual” rather than “religious.” I believe that there is something greater than us which has a plan for everyone, even if we do not understand what that plan is. I call this thing the “universe” but I’m not sure what exactly it is. I also believe that other deities exist within the universe, deities generated by our individual beliefs, and they are real for those whom believe in them. I think every religion has its good and bad points, its values and hypocrisies, and so they are all simultaneously right and wrong.

I could write an entire book on my beliefs and maybe I will someday. For now, I’m going to continue with the original point of this post, writing and religion.

If you look at the ALA’s most frequently challenged books lists, you’ll see that many books have been challenged for “religious viewpoint.” This reason has been used for everything from the Bible to Twilight.

It’s so common to challenge a book on this basis because everything ever written is going to violate/offend at least one person’s religious beliefs. Honestly, it’s unavoidable. Not everyone believes the exact same thing so odds are you’ll offend someone if even a shred of your beliefs leak into your writing.

With that in mind, should we as writers try and avoid including our beliefs in our work? Should we separate writing and religion?

My answer, as I often say with questions of censorship, is no.

Religion is a part of the human experience. For thousands of years it’s helped us navigate the world, first to explain natural phenomenon and then to answer philosophical questions such as why we’re here. We may now be able to hear the voices of more religions–and those with no religion at all–but that doesn’t mean religion overall will leave any time soon. We’ll never have a definitive answer to everything and so humans will continue to use religion to make sense of the chaos.

Does that mean it should appear in writing?

Writing and religion are as intertwined as writing and politics. Religion makes writing interesting. Writing conveys and critiques religion. Hints of the writers’ religious beliefs, or at least religious beliefs which have held any influence on them, appear in poetry, non-fiction, and fiction. Even fantasy can be heavily influenced by the writer’s beliefs. (Just read some analyses of C.S. Lewis’s The Chronicles of Narnia.)

Rick Riordan’s children books is based on Greek and other mythologies but, as far as I know, he is not polytheistic.
Image retrieved from the Percy Jackson wiki
I don’t think writers could remove everything that might be interpreted as religious influence even if we tried. Frankly, we slip in religious references without realizing it. I’m not Christian but it’s one of the religions I’ve encountered most, so it’s no surprise that once in a while I make subconscious symbolism based on the Holy Trinity or the Four Horsemen of the Apocalypse. I also draw heavily from polytheistic religions in my writing, especially fantasy pieces.

We can’t control what people see in our work. There’s an argument for Christian influence on Harry Potter, influences which could also easily be interpreted as coming from older mythologies and beliefs that predate Christianity. (The power of three is such an influence.) We may not intend to use certain religious references in a story but a reader may see them anyway. After all, it doesn’t matter what we mean to say so much as what people actually take from our writing.

I don’t think we should use writing to force our beliefs on others. There’s a difference between conveying/critiquing religion and violating another person’s right to their beliefs by shoving yours down their throats. That’s one reason I like Chandler’s book. It delivers the word of God without trying to force conversion, using scripture to raise people up rather than tear them down and make them feel miserable for existing.

Writers don’t need to exclude religion from writing. In fact, we shouldn’t. Religion, like politics, can add tension, obstacles for our characters, and deeper levels of meaning. However, it doesn’t mean that we have free license to violate other people’s rights. Freedom of expression and freedom of religion are important, so long as we do not harm others in the process.

 

Designed by Stephanie Hoogstad circa 2011

Behind the Logo: The Backstory

I’m sure you’ve noticed that I finish all my posts with the same logo, a wolf encircled by my name and the words “moonlit imagination.” I’m also guessing that you might have wondered why I do that and where it came from.

The history behind it isn’t really complicated or extraordinary. My high school offered Yearbook as an elective and I took it my junior and senior years. This elective, along with compiling and selling the school’s yearbook, taught us about graphic design and layout. One of the assignments we got was to design business cards for ourselves. I came up with a handful of designs and this logo was my favorite.

My logo, slightly enlarged

The howling wolf represents my dual nature as a lone wolf but also a pack animal. Wolves are also strong, majestic, and misunderstood, much like writers often are. The words encircle the wolf in order to follow the same visual path created by the full moon at which the wolf howls. “Moonlit Imagination” is a slogan I gave a potential freelancing business long ago because I am a nocturnal being and my best work is done at night. The “S” and “H” are just my initials. You can probably figure out why my name is there.

After all these years I still have a file of each of the business cards and logos, and after all these years this logo is still my favorite.

When I first started writing posts for this blog, I felt like they were incomplete even with images and a sort of “conclusion” at the end. I didn’t like the white space underneath the last of the text. I had been looking for a way to use this logo for a while and I figured that, in addition to making business cards, I could use it as my signature at the bottom of my posts. So far it seems to be working fairly well.

As I’ve been looking into using VistaPrint to make some business cards, I realized that this logo would look good on other products as well: shirts, tote bags, hats, etc. This realization gave me an idea but I want to run it by my readers before I make a decision.

You probably know that running a quality blog isn’t always free. Between the money for the domain and the time spent writing, it does burn a small hole in your pocket before it truly lifts off. My most prominent sources of income are Swagbucks and my book reviews from Fiverr, but I’m still looking for more ways to raise money. I’ve placed a couple ads on this blog but I don’t want to overwhelm my readers and I’m still working to build up my writing, editing, and book review freelance jobs. I have also entered some writing contests and plan to focus more on getting published but we all know that will take some time and a lot of submissions.

My idea is to offer you, my readers, the chance to buy some merchandise with my logo on it. This will be accomplished either through an online store or, preferably, with pledges through an account on Patreon. I will also be offering these products from time to time as free monthly giveaways for my newsletter subscribers.

First, however, I would like you to answer this poll.

If merchandise with my logo (pictured at the end of the post) were available, would you buy it and/or pledge a monthly donation to this blog?
×

 

Mind you, this idea may or may not come to fruition. I want to see how well my readers receive it before giving it a try. Thank you for providing your opinion on this matter.

If you have any comments or suggestions about this idea, please leave them in the comments section below.

 

Designed by Stephanie Hoogstad circa 2011

Book Reviews: Very Good Lives by J.K. Rowling

If you haven’t figured out that I’m a fan of J.K. Rowling, you either haven’t been paying attention or you’ve missed a lot of posts. Don’t worry; I’ll catch you up. I’ve looked up to Rowling for as long as I can remember. It goes without saying that I love Harry Potter. That series is one of the rocks of my life that will never go away, along with Disney, my parents, my pets (past, present, and future), reading, and writing. More importantly, I have drawn a lot of strength from Rowling’s life story. It keeps me going in the hopes that I will be able to write my own life story as well as she has written hers. That’s why I was absolutely ecstatic when Very Good Lives was published.

Image retrieved from Amazon

Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination is the official publication of Rowling’s 2008 commencement speech at Harvard University. I would describe this very short tome as an inspirational narrative which draws on aspects of memoirs and self-help books.

With Rowling’s signature humor and captivating accounts from her life after graduation, Very Good Lives is the perfect book to keep on your nightstand. A quick read, witty, I read all 80 pages one morning before getting out of bed.

The main lesson from this speech is to use your failures to build yourself up. We all know that Rowling had hit rock bottom before finishing Harry Potter and the Philosopher’s Stone. She explains that whether we’ve hit rock bottom as she did or just had a string of minor failures, we can use these failures to learn what not to do, point ourselves in the right direction, and learn what we really want out of life.

The secondary lesson, as the title implies, is the importance of imagination in our lives and the world. Most notably, Rowling discusses how we can use imagination to improve our lives and the lives of those around us. No better person to get such advice from than a woman who once worked with immigrants then went on to write books that positively impact people’s views of ostracized groups.

I’m not afraid to say that I have dealt with a lot of depression and anxiety since I graduated from university. I’m a struggling–and otherwise only employed through freelance work–writer living with her parents to save money. (No one should be ashamed if they live with their parents. Humans are social animals by nature and it’s a great way to save while paying back student loans so long as your parents are OK with it.) I don’t always feel good about myself, especially when I can’t find a job.

Rowling’s Very Good Lives has helped me to pull myself back from the abyss of self-loathing. Perhaps I’ve failed by my own standards but I have also succeeded. I can learn from my failures and use them as the foundation on which I continue to build my successes. Rowling’s book/speech helped me to realize this and is one of the reasons I was able to convince myself to apply for my Master’s program, launch this blog, join Fiverr, and, most importantly, keep writing even when nothing I write seems publishable.

The illustrations are beautifully simplistic. Like the letters on the cover, they are solid red images dancing across and at the edges of the white pages. Each illustration matches the text occupying the same page and distracts from the white space without detracting from the message.

Image retrieved from Amazon

Some Amazon reviews have complained about the fact that they could just look the speech up online and not pay for the physical copy. I don’t know about now but when I bought the book two years ago, the proceeds went to charity. Again, I can’t say if that’s the situation now.

So why bother to buy this book if you can look up the speech online and the proceeds may or may not still go to charity? Well, that’s a matter of personal preference. I prefer paper copies over anything electronic, whether it be an e-book, a Word doc, a PDF file, or a web page. A paper copy also allows you to read without the distractions of social media and the Internet.

I only know where you can buy a paper copy or the e-book. If you know where people can find the speech online without violating copyright, please post a link in the comments for other readers.

Overall, Very Good Lives is uplifting and inspiring. I would recommend it for everyone, even if you’re not currently going through hard times or you don’t like Rowling’s work. In each life some rain falls and this book is like a towel; it won’t prevent you from getting wet during the storm but it’ll help you wipe off the drops left behind.

To buy a copy of Very Good Lives, follow the link below:

For more information on J.K. Rowling, be sure to visit her official website.

Leave your thoughts on Rowling’s work in the comments, and sign up for email notifications so you never miss a single post. Also remember to sign up for my newsletter The Scrapbook for exclusive content and monthly giveaways.

Do you know of any books I should read and discuss? Would you like me to review your published book on this blog? Contact me at thewritersscrapbin@gmail.com with your recommendations or hire me on Fiverr. I accept book review requests through my “review your book on my blog” gig and as custom orders.

 

Designed by Stephanie Hoogstad circa 2011

The Scrapbook: Official Writer’s Scrap Bin Newsletter

Do you enjoy diving into The Writer’s Scrap Bin? Want access to exclusive content? Then sign up for my official newsletter, The Scrapbook.

The Scrapbook will provide you with updates, announcements, and writing tips before they’re available to the general public. Some editions will even include articles and interviews not published on The Writer’s Scrap Bin. In addition, newsletter subscribers will be eligible for monthly giveaways, ranging from PDF copies of my work to complementary critiquing sessions for works-in-progress.

If you would like to sign up for The Scrapbook, please follow this link and provide us with your e-mail address.

(Your e-mail address will only be used to send you the newsletter. My readers’ safety and comfort is my and my team’s number one priority. We will never violate your privacy by giving away or selling your information or misuse it in any other matter. If you have any questions or concerns, please contact me at thewritersscrapbin@gmail.com.)

As the blog grows, so will The Scrapbook and the quality and variety of the monthly giveaways. Please help by signing up for the newsletter and spreading the word to other interested writers and readers.

I look forward to hearing from you.

 

Designed by Stephanie Hoogstad circa 2011

#PotterTaughtUs: 20th Anniversary of Philosopher’s Stone

June 26, 2017, was the 20th anniversary of the release of Harry Potter and the Philosopher’s Stone, the original UK release. Potterheads from all corners of social media came together to celebrate this magical date. From sharing memories of midnight book releases to discussing favorite characters, Twitter and Facebook was filled with Potter nostalgia. My favorite hashtag to arise from this trip down memory lane is #PotterTaughtUs.

Happy 20th anniversary to Harry Potter and the Philosopher’s Stone!

Image retrieved from this Wikipedia entry

#PotterTaughtUs has been used to share all the lessons this series has given to its readers. From the joys of reading to the importance of acceptance, Harry Potter has bestowed valuable life lessons on not just children but readers of all ages. Children who have read Harry Potter have even shown greater signs of tolerance towards ostracized groups than those who have not. Of course, I don’t need a study to tell me how much the books and their writer have taught me.

Back in April I told you about Rowling’s influences on me as a writer and a person. I could fill an entire book with how Rowling and her work have molded me. The most important lessons that the books have taught me, though, are to have compassion for everyone and that you are never truly alone.

 

“Though we may come from different countries and speak in different tongues, our hearts beat as one. –Michael Gambon as Dumbledore, Harry Potter and the Goblet of Fire

All the most-loved characters in this series are outcasts. Luna Lovegood is pleasantly bizarre; Hermione is a bookworm and a Muggle-born; Ron is the youngest of six boys and comes from a poor “blood traitor” family; Ginny is the only girl out of seven children and is a tough, smart, pretty girl at that; Hagrid is half-giant; Remus is a werewolf; Sirius holds very different views from his family and is an escaped, falsely-accused prisoner; Tonks and her mother were disowned; Neville is shy and nervous and lives with his grandmother; even Draco, the rich pureblood, is an outcast because he does not belong with the Death Eaters or outside of them. And, yes, Harry Potter is different from everyone because he is marked for greatness.

With all of these beloved characters treated as outcasts, it is only natural that avid readers of Harry Potter feel a special connection with so-called “misfits.”

Connecting ostracized characters with the “good” side and prejudice with the “bad” side helps readers to subconsciously form the opinion that prejudice is not acceptable. In showing the struggles of people going through such prejudice–Hermione’s struggles with being called a “mudblood,” for example–Harry Potter readers grow the ability to see things from another person’s perspective and develop compassion for ostracized groups, people whom they may not feel a connection to otherwise.

Congratulations to the woman who started it all.

Image retrieved from gettyimages

I probably had a predisposition for compassion for ostracized groups given my upbringing. My mother always taught me that a human is a human, no matter their religion, race, sexuality, gender identity, ethnicity, nationality, etc., and Disney has helped to reinforce her lessons. Still, the influence of Harry Potter is undeniable.

 

“I enjoyed the meetings, too. It was like having friends.” –Luna Lovegood, Harry Potter and the Half-blood Prince

Out of everything #PotterTaughtUs, my favorite has to be that no one is ever truly alone.

Harry, who felt alone among the Dursleys and the Muggle world, finds true friends in Hermione and Ron and learns that his dead loved ones are still with him. Luna is one-of-a-kind and an outsider but finds her place among Harry and his friends. Remus, although timid and a werewolf, finds love both in friends and in Tonks. Even Draco has his parents, and at least his mother loves him no matter what. In the end, the only ones who are alone are those who deny love and its power.

If you lose loved ones to death or distance, their love is still with you and will always stay with you. You just need to remember that they’re there and you will feel them. If you ever feel isolated and like you can’t connect with anyone, you only need to prevail. The friends and family you deserve are out there. So long as you don’t give up, you will find them and then, like Harry and his friends and family (and his friends who are emotionally his family), you will get your “all was well.”

I’m still looking for mine but, thanks to many people who have entered my life in the past few years, I think I’m getting closer each day.

 

Happy anniversary to this beloved series. It has so much more to teach us. Please, go read or re-read these books and discuss in the comments what you think #PotterTaughtUs.

 

Designed by Stephanie Hoogstad circa 2011

Friday Fun-Day Writing Prompt: Postcard Fiction

Happy Friday, readers and writers! Today we have a two-for-one: a writing prompt which doubles as a publishing opportunity. In particular, I’m going to prompt your to write “postcard fiction” and then provide you with a website where you may be able to publish it.

For my portfolio I experimented with a couple flash fiction stories. (The success of those experiments is questionable and the feedback on the portfolio seemed rather mixed.) To be honest, I’m still trying to wrap my mind around “successful” flash fiction and learning what actually makes such fiction good or bad.

Nevertheless, trying to write complete, successful fiction in such a short format is a good way to understand how to utilize all the elements of a good story without wasting a single word. That’s why I continue to grapple with flash fiction and modifying the flash I wrote for my portfolio.

In my attempt to understand this genre, I came across a website called Postcard Shorts. This website, as the name suggests, publishes flash fiction which can fit on a postcard, thus “postcard fiction.” These pieces are complete stories written in 1500 characters (not words but characters) or less.

As always, today’s writing prompt is deceptively simple:

Write a full story with a plot, narrative arc, character development, etc. which could be published on Postcard Shorts. In other words, try and write an entire story using no more than 1500 characters.

Remember, shorter does not mean easier. In fact, I’ve learned that it is much, much harder to write complete and effective stories in shorter formats. It’s probably why my flash fiction has turned out to be no good so far, but you know what they say: practice makes perfect.

Your postcard fiction can be about anything that you feel you can successfully write in under 1500 characters. Once you’re done and feel confident that you have written a good story, I suggest submitting it to Postcard Shorts. The site doesn’t pay but it’s a great way to get your fiction out there if you’re accepted and good practice at receiving rejection if you aren’t.

Well, have fun writing, my friends, and have a great weekend.

 

Designed by Stephanie Hoogstad circa 2011

Revisiting My Old Work III: Just to Set the Record Straight

June 21st: the first day of summer, the summer solstice, the longest day of the year, my birthday. While the first three are debatable (follow this link to see why), the last certainly isn’t. I can also testify that it’s hot enough to be the first day of summer. Of course, I only know what’s it like in Northern California. I’ve been stewing in 107 degrees with only a “portable” AC unit a living room with an open-floor plan (our central AC unit broke and it’s going to take a lot of money to replace it). Other than that, it’s been a pretty good birthday. In honor of my birthday, the solstice, and the heat, I’ve decided to post another of my old poems, “Just to Set the Record Straight”.

Sunset on the summer solstice at Stonehenge

Image retrieved from Express

This poem is a little different from the others. First of all, it’s longer. Second, it’s arguably funnier. Most importantly, it’s technically been published before. Over five years ago it, along with several other of my poems, were published on a blog for Northern Californian poets called Medusa’s Kitchen, which is run by Rattlesnake Press. Here’s the link to the original post if you want to read it. I recommend doing so since I can’t get the formatting right in this post.

Despite its publication, I’m not particularly proud of this poem. Why? I worry that it comes off as whiny in regards to the heat and people not understanding how hot it can get in NorCal. It’s also rather…I don’t want to say “crude” or “poorly-written” but, in hindsight, I feel as though I could’ve done better. Then again, I always feel that way so you should judge it for yourself:

 

Just to Set the Record Straight

Just to set the record straight,

“North” doesn’t always mean “cold,”
and “near mountains” doesn’t always mean “snowy,”
especially when you live in the Valley.

SoCal-ers seem to think NorCal is cold
and that we NorCal-ers have not clue about heat.

They’re the only experts.

Think again.
Summer in the Valley?
IT’S HELL.
No less than 90 degrees,
Often over 100
We NorCal-ers go to SoCal
just to escape our heat;
at least there
there’s something to do.

Even when it’s hot
the lake gets boring.

Trust me.

Still don’t believe me?
Still fooled by the mountains and the word “north?”

Then spend a week in NorCal
in the middle of July with no air conditioning
and watch it get to over 100
just inside the house
and eat cold tomato soup for dinner
and take icy showers every night
and take a drive every day
just to keep cool.
And sleep on the living room floor,
the fan set on high,
’cause your bed’s too hot to sleep in
(You won’t sleep anyway).

Do that and then answer me these:

Still think NorCal is cold?
Still think NorCal-ers don’t know heat?

Didn’t think so.

I just wanted to set the record straight.

 

Maybe you like it, maybe you don’t. My main point in posting this (aside from highlighting the heat I’m boiling in) is to show you that even after something is published you may not feel too good about it.

Another more famous example is Edgar Allen Poe. I’m not talking about “The Raven”, which he wrote to demonstrate what a “perfect poem” was to him. I’m talking about his ever-popular Gothic horror stories. He thought that they were low-brow and trash. However, he knew that they sold well and he had to pay the bills, so he wrote them and sold them. Sometimes you just have to do what you have to do.

And sometimes, as in my case, you think your work is great at the time. Then, as you grow as a writer and expand your reading horizons, you look back and are somewhat embarrassed by your old work. You may think that its publication should vindicate the work but, in your eyes, you’re just never sure if it’s actually any good or if someone had a lapse in judgment or took pity on you.

Rather than hiding from your old work, as I once did, you should embrace it. We are the product of everything we’ve ever done and encountered. To hide that would be to hide a part of ourselves, and we shouldn’t ever do that. We don’t have to go back to who we once were, as a person or as a writer, but we should still accept it and be as truthful about it as we are with any other part of our lives.

Any old work you’d like to share? Any stories about publications you wish had never happened? Share your experiences in the comments below.

Also, a moment of shameless plugging:

I’ve started a GoFundMe page to help raise the $9000 we need to replace our central AC unit plus the duct system. If you’d like to chip in–even just $5 would help–or would be kind enough to spread the word, here’s a link to the campaign: https://www.gofundme.com/air-conditioner-for-110degree-heat.

If you’d like to send some work my way instead of/in addition to, please look me up on Fiverr.

 

Designed by Stephanie Hoogstad circa 2011

Famous Literary Fails that Became Successful

My program has tentatively received the grades for our portfolios (nothing is official until the board confirms it at the end of July). I got a good grade but not as good as I would’ve liked. That’s life, right? Even when we’re doing well we always wish we had done a bit better. Things could be worse, though, and just because things aren’t exactly how you want them to be now doesn’t mean you won’t succeed–or have more success–later. That’s why I’ve decided to talk about famous literary fails that flopped when they were first released but are now considered classics.

I knew of one without any research–Herman Melville’s Moby-Dick–but I had to perform a quick search to learn any others. What I found was a list on Cracked which discussed the following:

  1. Brave New World by Aldous Huxley
  2. The Grapes of Wrath by John Steinbeck
  3. Lord of the Flies by William Golding
  4. The Catcher in the Rye by J.D. Salinger
  5. Moby-Dick by Herman Melville
  6. The Lord of the Rings Trilogy by J.R.R. Tolkien

I can only remark on a few of these famous literary fails, so I strongly recommend following the link I’ve provided to learn more about them and how poorly they were originally received. The ones I can discuss from personal experience are Lord of the Flies, The Catcher in the Rye, Moby-Dick, and some of The Lord of the Rings Trilogy.

Lord of the Flies

Good book but disturbing as all get out. I read it in high school (freshman year, I think, but maybe sophomore year, I don’t know) but have not dared pick it up since. It was engaging, fascinating, and an exciting read. The problem? It messed me up pretty badly, more than 1984 but not as badly as The Giver (I’m not kidding, The Giver gave me weird dreams). I don’t know about outside the United States, but I’m sure that all of my U.S. born-and-raised readers can remember being made to read Lord of the Flies.

Lord of the Flies by William Golding

Image retrieved from edtechteacher

But how well was the Nobel Prize Laureate’s novel received in its first running? Less than 3,000 copies were sold.

I suppose I can see why. I don’t imagine that there was that big of an audience for dystopian, faithless novels centered on children back in the day. Frankly, if this book hadn’t been inside in school, I don’t know how many people would have a taste for such books today. Still, there’s definitely a readership for dystopian novels today (and it’s no mystery why).

The Catcher in the Rye

I read this book for a young adult literature class as an undergrad and, to be honest, I don’t remember much of it. It isn’t a bad book; I just wasn’t into it enough to remember anything without re-reading it. It amused me, that much I remember, and Holden annoyed the crud out of me. Maybe it’s because I never felt the need to drink, maybe it’s because I thought Holden was an idiot who didn’t think things through, but no matter the reason I just did not like him. I felt sorry for him in many ways and I didn’t really want anything bad to happen to him but that certainly does not mean I have to like Holden as a person.

This book was not knocked down by the numbers as Lord of the Flies was. However, critics had a field day with it. Among other things, they took offense to how vulgar it was. Funny thing is that the language was what felt most real about this book, at least to me. I guess The Catcher in the Rye shows us that when we question society there will be push back; in the long run, though, you will be seen as one of the greats.

Moby-Dick

I’ve been waiting a while to talk about this one. My essay that was accepted into the UC Davis Prized Writing Anthology was written on a chapter of Moby-Dick. That doesn’t mean I’m a fan of the book. In fact, I don’t see myself revisiting in anytime soon. Melville mostly lost me in all the in-depth explanations of the technical sides of whaling. I understand the necessity of the reader knowing about whaling in relation to the story but I had to try really hard not to fall asleep reading those passages. I will give Melville this, Queequeg and Captain Ahab were fascinating. I also loved the end to Ahab’s story, which I won’t discuss here due to spoilers. Still, much of the narrative is too slow and dry for me to return to it before I complete my long, long “to read” list.

How was it received? Very, very, very harshly. It went over people’s heads, many critics flat out didn’t like it and thought it was a “catastrophe,” and some even lobbed personal attacks at Melville. I have yet to come across a classic that was received worse by contemporary critics than Moby-Dick and if you know of any, please let me know in the comments. It seems like a miracle that this book went from zero to hero so drastically. Still, all writers can take heart in that such miracles can and do happen.

Lord of the Rings Trilogy

I saved this one for last because it doesn’t make sense to me. I’ve only read The Hobbit all the way through–and that was when I was a child–but I loved the movies and plan to return to the books as soon as I can. Still, it’s hard to imagine that a series with such a cult following, one which may consist of every fantasy geek in the first world, could have flopped as badly as Lord of the Rings first did.

Mainstream critics panned it and many of Tolkien’s friends grew tired of it when he would read samples to them. One atrocious objection to it was the fact that he was a “career linguist,” not a professional writer. Such elitism is ridiculous and, unfortunately, can happen today, too. However, the vast majority of writers I’ve encountered have been very warm and welcoming no matter what your “other careers” might be, so here’s hoping this divisive trait dies out soon. Another objection was the theme of “industry versus the environment.” I can’t say that similar books won’t receive the same sort of welcome today, at least in the current United States.

Lord of the Rings movie poster. Thank you, hippies, although I could do without Gollum.

Image retrieved from IMDb

Still, the hippie movement demanded the return of Lord of the Rings and, thanks to these “tree-huggers,” we can enjoy this franchise today.

 

Maybe your book won’t sell many copies in its first run. Maybe critics will crush your ego beneath their shoes like a cockroach. Maybe you’ll feel like your work isn’t good enough to see the light of day and want to quit. Before you give up, please remember these books, now considered classics, and how poorly they were received during the authors’ times. These famous literary fails became successful, why not your work?

 

Designed by Stephanie Hoogstad circa 2011

Disney’s Grown Up: Introductions

Today I’m introducing (yet another) new series of posts to this blog, “Disney’s Grown Up”. This series is a bit different from my other posts. It leans heavily on the “distractions” aspect of this blog and will consist of all my random thoughts about Disney movies, Disneyland, pretty much everything Disney. I’m a born-and-raised Californian who’s loved Disney her entire life and has a mind for creative writing and literary criticism, so these posts will be both passionate and a bit crazy.

My mom and I are proof that you’re never too old for some fun.

I call this series “Disney’s Grown Up” because the topics discussed won’t be your typical childhood Disney conversations. (It’s also named for one of my poems I shared back in May, “Wendy Darling’s Grown Up”.) This series will be for the intelligent, hardcore Disney fanatics.

From tips for exploring the parks to in-depth analyses of the latest movies, you’ll get a taste of the entire fandom from an adult’s perspective. Of course, I’m still going to be making “Let It Go” and “Do You Wanna Build a Snowman” jokes every now and then. It’s pretty much required. Nevertheless, the whole experience will be both fun and intellectually-stimulating.

Some of the topics you can look forward to are Emma Watson’s Beauty and the Beast and the French Revolution, Frozen from the perspective of someone with Generalized Anxiety Disorder, and some of the lesser-known (and perhaps darker) history and rumors surrounding Walt Disney. Best of all, in late October/early November I’ll report to you the wonders that await at Disneyland during Halloween and Mickey’s Not-So-Scary Halloween Party.

I encourage all my fellow fanatics to send me their ideas for posts and their thoughts on the topics I discuss, both in the comments here and by email to thewritersscrapbin@gmail.com.

And if you’re looking to go to the Disneyland Resort but aren’t sure how to best enjoy the park, look up me up on Fiverr and I can help you navigate the wonderful (albeit stressful) experience.

 

Designed by Stephanie Hoogstad circa 2011