Writers on Writing: Mark Twain

Quote retrieved from Twain Quotes.

I adore Mark Twain. Everyone needs humor in their lives and I find his writing refreshing. I’ve never read The Adventures of Tom Sawyer or The Adventures of Huckleberry Finn. I have, however, read several of his other works: “Advice to Little Girls”, “The Celebrated Jumping Frog of Calaveras County”, The Prince and the PauperPudd’nhead Wilson, and more. My favorite is A Connecticut Yankee in King Arthur’s Court. Time travel, the Knights of the Round Table, and satire that pokes at the romanticized image of the Middle Ages? What’s not to love?

Today I’m going to discuss one of Twain’s quotes on writing that has been very encouraging for me during the editing process:

The time to begin writing an article is when you have finished it to your satisfaction. By that time you begin to clearly and logically perceive what it is that you really want to say.

~Mark Twain, Mark Twain’s Notebook

It sounds paradoxical but also makes sense. The meatiest, most taxing part of writing is not the writing itself but the rewriting. We don’t know what we’re trying to say until after that first draft.

I know what a lot of you might say: I meticulously plan my (novel, short story, poem, whatever) before I pick up the pen; I know exactly what I want to say before the first draft.

Let me ask you this: how often is the first draft also your final draft? How many revisions do you go through before you and your beta readers decide that the work is finished (well, publishable)? How drastically does the piece change before you’re done?

We know generally what we want to say in the first draft but specifics are blurry. Sometimes even that “big picture” takes a turn in later drafts. It’s the nature of writing. We spew everything in our heads onto the page during the first draft and then we figure out the direction in which we really want to go.

The good news? This process means that it doesn’t matter if the first draft is crud. It’s supposed to be. All that matters is that you revise the work until you realize what you want to say and accomplish that message, even if you have to write it all over again. I’m learning this lesson slowly but surely as I edit stories for my end-of-year portfolio.

This photograph of an older Mark Twain was taken by A.F. Bradley for the purpose of helping poet laureate Ina Coolbrith, who lost her home in the San Francisco Earthquake.

Picture retrieved from the Mark Twain Wikipedia Entry.

The other good news? Mark Twain, the writer of the “Great American Novel”, didn’t always know what he wanted to write until after he started writing. He knew not to stop if the first batch was rotten. And you shouldn’t give up during or after finishing your first draft. You’re just getting started.

Do you have any thoughts on Twain’s advice? Do you have a writer whom you want me to write about in a future “Writers on Writing”? Drop a line in the comments or contact me at thewritersscrapbin@gmail.com.

And watch for the next “Writers on Writing” in which I’ll turn to Latin American writer Sandra Cisneros.

 

Designed by Stephanie Hoogstad circa 2011

J.K. Rowling: The Writer Who Made Me

This June will mark nineteen years since my mother and I first read Harry Potter and the Sorcerer’s Stone. We read the book on a trip to Disneyland for my fifth birthday. Nineteen years. It’s hard to believe. I was so young that I don’t remember much about life before the books and I don’t want to imagine my life without them. Harry Potter has become an indispensable part of me and J.K. Rowling is my hero.

On Sunday I watched a special about Rowling on Reelz Channel. Memories flooded me, memories of the books, the movies, the midnight releases. I rediscovered that which I already knew about my role model and gained a little more insight into her life. Most importantly–and the point of this article–the special reminded me of how much J.K. Rowling has influenced me.

Author, philanthropist, activist, J.K. Rowling is more than just the Harry Potter writer.

Image retrieved from gettyimages.

A lot of people say that Harry Potter got them or their children interested in reading. Honestly, that’s not the case with me. Even at five years old I loved to read. My oldest brother and I both started reading at a very young age, and my mother read to me every night. I can’t say that Harry Potter ignited my interest in fantasy, either. My mother and I read C.S. Lewis books together before we got our hands on Sorcerer’s Stone and my mother is an avid fantasy fan, so my love of the genre was inevitable. No, what J.K. Rowling has done for me runs deeper.

She didn’t inspire me to become a writer. That honor belongs to my seventh grade Literature teacher, my mother, and my deceased grandfather. Rowling did, however, help me believe that I could be a writer.

Harry Potter and the Order of the Phoenix, one of my favorites, was released on my tenth birthday. Interestingly, the U.S. cover is blue, which happens to be my favorite color. I find more reasons to love and connect with these books and their writer every day.

Image retrieved from Amazon, artwork by Mary GrandPré, published by Scholastic Publishing

I’ve discovered multiple parallels between Ms. Rowling and myself. As children we were both bookish and smart and we felt like outsiders even with friends. Our dream colleges rejected us. (I wanted to attend Stanford originally but it was for the better that I went to U.C. Davis.) The death of Rowling’s mother changed her writing drastically. Similarly, my grandfather’s death pushed me to pursue this career path more fervently. We both have anxiety and we’ve suffered from depression at some point in our lives.

To see someone so much like me succeed gives me hope. I’ve always lacked self-confidence and I continuously oscillate between thinking I can do anything and thinking I can do nothing. The story of Rowling’s life–her struggles, her failures, her successes–reminds me that I can’t approach my life and career that way. I may triumph, I may fail, but the possible rewards outweigh the costs. Every time I read Very Good Lives or her Twitter feed, she reminds me that it’s worse to do nothing at all. I’ll get there someday and it will all be worth the risk. I have to keep trying or else it’ll never happen.

Of course, Rowling has influenced my career in a much more direct way recently. Remember that contest for which my story was longlisted? Well, I wouldn’t have entered if it weren’t for her.

My mother saw Rowling’s tweet about the contest a few months ago and forwarded it to me. At first I didn’t think I should enter. The Crime Writer’s Association runs the contest and the criteria is based on a quote by a famous detective fiction writer. I’ve never written this genre before. Frankly, I’ve barely read it before. The closest I’ve gotten is one book and a short story, each starring Sherlock Holmes. So why did I enter? I figured that if Rowling, someone known for her fantasy books, could succeed as crime writer Robert Galbraith, I could give it a whirl as well. What would be the harm in trying?

That’s the best thing that any role model can give you: the courage to try even when you’re doubting yourself.

Some of you may think it’s an exaggeration to say that Rowling made me. After all, I’ve had several other influences: other writers, other books, family, friends, teachers, movies, actors, singers, etc. I admit that she and Harry Potter are not all that made me. However, they’ve done a lot for me. From a bonding agent with potential friends to a boost of courage, I owe this writer and her works a lot.

Which writer has influenced you? Who makes you jump in when you know the odds of making it are slim? Tell us all about them in the comments.

 

Designed by Stephanie Hoogstad circa 2011

Friday Fun-Day Writing Prompt: A Box-Shaped Mystery

As you may have seen on my Twitter or Facebook feed, I recently learned that I have been longlisted for the Crime Writers’ Association’s (CWA) Margery Allingham Short Story Competition. In honor of this news, I’ve created a writing prompt inspired by the quote which is the criteria for this contest:

Margery Allingham was the author of the “golden age” detective fiction series featuring the gentleman sleuth Albert Campion.

Image retrieved from the Margery Allingham Wikipedia Entry

The Mystery remains box-shaped, at once a prison and a refuge. Its four walls are, roughly, a Crime, a Mystery, an Enquiry and a Conclusion with an Element of Satisfaction in it.

Margery Allingham

 Here’s the prompt:

You come home from a typical day of work, running errands, chauffeuring the kids, hanging out with friends or your significant other, whatever. When you get inside you find a mysterious box set in the middle of the living room. You open the box and discover that it’s no ordinary box–it contains your worst fear.

Take five minutes to write notes on the box. How big is it? What does it look like? Is there any writing on it? What’s inside? Is it a physical object that you fear or something more existential? Why are you afraid of it? What’s your reaction when you see it? How does it make you feel and what do you do with it?

Using these notes for reference, write a short story or scene about the discovery of this box. It doesn’t have to be a mystery or a crime story, although it certainly can be if that’s what you want. It can be fantasy, horror, romance, whatever. Have fun with it.

When you’re done, feel free to post an excerpt in the comments below. I’d love to see what you come up with.

If you’re interested in learning more about the Margery Allingham Short Story Competition, the CWA, or the quote I provided above, check out this website: https://thecwa.co.uk/debuts/short-story-competition/.

Have a fun and productive weekend of writing!

Designed by Stephanie Hoogstad circa 2011

Friday Fun-Day Quote on Writing: What’s a Little Blood

Welcome back to Friday Fun-Day! I’ve been under the weather this week so I haven’t been able to come up with anything elaborate for today. I have, however, tracked down a quote on writing that gives me a chuckle.

Before I give you the quote, I have to preface it with a warning: I’m not 100% sure who said it. Some people say it’s Ernest Hemingway, others say it’s Red Smith. So I’m going to include the link to the website from which I retrieved the quote and leave you to research the original speaker for yourself:

“There’s nothing to writing. All you do is sit down at a typewriter and open a vein.”

Such fine words to live by. What’s a little blood when creating a masterpiece which may not even pay the bills? After all, writers are a bunch of masochists.

On that cheery note, I wish you all a happy and productive weekend of writing. I’m hoping to be back to full power by Monday, so keep an eye out for my next post on writing as a migraine sufferer.

Also, if you learn for certain which writer penned this quote, please leave that information and your source in the comments. Thanks!

 

Designed by Stephanie Hoogstad circa 2011

 

ALA Frequently Challenged Books List

I should probably wait until Banned Books Week to write this post but recent discussions about the media and “fake news” have planted the topic of censorship firmly in my mind. I will still be addressing Banned Books Week in September. However, I didn’t want to wait over five months to talk about the American Library Association’s Frequently Challenged Books.

For those who aren’t familiar with this list and/or wish to see which books made it this year, here’s a link to the ALA website.

I have been following this list since high school. I stumbled across the site while preparing a presentation on the first amendment and censorship and got a kick out of the books that had been challenged. Ever since, I’ve revisited the list for updates and when I’ve needed a good laugh. Every time I read it, I feel a mixture of outrage and amusement. Sometimes I even skim it for new books to read.

First Edition Cover of Fahrenheit 451 by Ray Bradbury, art by Joe Pernaciaro, published by Ballantine Books, picture retrieved from Fahrenheit 451 Wikipedia Entry

Everything from children’s books to literary classics have been challenged. My personal favorite is Fahrenheit 451, which is number 69 on the Top 100 Banned/Challenged Books: 2000-2009.

What’s even funnier than the books are the reasons why they’re challenged. “Offensive language”, “sex education”, “inaccuracy”, the list goes on and on. Did you know that Captain Underpants made the list for being “unsuited for age group”? That Bridge to Terabithia was accused of occult/Satanism? That The Holy Bible was challenged for “religious viewpoint”?

If nothing else, the trends among the challenges reveal what is most on the minds of Americans the year(s) the data is gathered. That information in and of itself is invaluable. A wide variety of professionals can utilize these trends, from politicians to sociologists to, yes, writers.

I don’t mean to offend anyone by finding the challenges and the reasons behind them humorous. I have my own very strong viewpoints and I accept that everyone is entitled to their beliefs. I don’t want to hinder that. However, this respect deserves similar treatment in return.

Goosebumps series by R.L. Stine made the Top 100 Banned/Challenged Books of 1990-1999 and 2000-2009

Published by Scholastic, picture retrieved from Amazon

There is no excuse for censoring literature. Literature always has and always will offend people. We can criticize it all we want. That’s the flip side of free speech. Nevertheless, that does not mean that we should restrict other reader’s access to these writings. We should be in control of what we read. If we stumble across something which offends us or strikes a nerve, well, lesson learned. Don’t read that book/story/whatever again. It doesn’t mean that you should force others to follow your lead. Everyone deserves the chance to decide what they do and do not want to see. Besides, you never know what you are missing if you do not explore controversial works for yourself.

I can hear the counterargument already: what if I don’t want my children to read it?

Yeah, what if you don’t want your children to read it? I suppose that you’ll have to pay attention to your children, talk to them about what they’re reading, and teach them what is and is not OK to read. Let them ask you questions. Try and explain why you don’t want them to read something. As they grow older, expand your conversations to allow them to tell you what their beliefs are becoming. You could both discover new writings and new ideas. You could grow as people together.

The wonderful thing about literature is that there’s no end to the ideologies represented and no limit to what you can find. Don’t restrict the possibilities because you’re afraid of an idea. If you don’t want to read it, that’s fine. Don’t read it. If you don’t want your children to read it, open a dialogue with them so they know what you don’t want them reading and why.

Remember, limiting your reading list limits your brainpower.

Were you surprised by any of the books on the list? Angered? Humored? Were you surprised that a book wasn’t challenged a certain year? Let us know in the comments.

And if you enjoyed this article, feel free to share it by clicking one of the links below this post. Also remember to subscribe to our email notifications to keep up-to-date on happenings at The Writer’s Scrap Bin.

Designed by Stephanie Hoogstad circa 2011

Friday Fun-Day Writing Prompt: And Then the Murders Began

Welcome to another regular feature on The Writer’s Scrap Bin: Friday Fun-Day. Every Friday I’m going to dedicate at least one post to something fun, like interesting facts about a famous writer, literary crosswords, etc.

Today’s Friday Fun-Day post is a writing prompt. Three or so weeks ago my mother brought to my attention a particularly entertaining trend on Twitter. Marc Laidlaw tweeted “The first line of almost any story can be improved by making sure the second line is, ‘And then the murders began.'” As you can imagine, Twitter had a lot of fun with this concept, taking famous first lines and following them with “And then the murders began.” Thus #LaidlawsRule began.

In addition to getting a kick out of the tweets, I was inspired to create a new writing prompt.

Find a generic, horrible first line and add “And then the murders began” or some variation of it. Use this combination as the opening to a story and keep writing.

I haven’t had the time to fully pursue my idea yet, but I will put the opening as an example:

“Around here, strawberries don’t ripen until late spring. And then the murders begin.”

Make the first line as hilariously terrible as you can. Have fun, roll with it. When you’re done, post your opening in the comments. I’d love to see what everyone comes up with.

 

Designed by Stephanie Hoogstad circa 2011

Contest from Writer’s Digest

Happy Friday! The weekend is here (well, technically). I’ve decided to start the day with a brief announcement about a contest via Writer’s Digest.

It involves writing a very short story (maximum 700 words) for the picture prompt that they provide on the site. If you win, your story will be published in an issue of the magazine under their “Your Story” section. Deadline is April 10th.

Follow this link for the full details:

http://www.writersdigest.com/your-story-competition/story-81-submit-now

Remember, “short” doesn’t mean “easy,” so be sure to give it your best. It will be good practice in writing and competition submission. Good luck!

 

Designed by Stephanie Hoogstad circa 2011

Famous Author Rejections

Rejections: all writers face them. They’re the bane of our existence and our careers. That’s not to mention how soul-crushing and discouraging they can be. If you’re a seasoned veteran, you are already acquainted with these little demons. If you’re just starting, brace yourself. Odds are your first submission will be rejected. And your second. And your third. J.K. Rowling received rejections from twelve publishers before Harry Potter and the Philosopher’s Stone was finally accepted. Cut yourself some slack when you get your first.

I’ll give you advice on how to handle rejection at a later date. Right now I want to provide you with encouragement and entertainment in the form of famous authors’ rejections.

A quick Google search and you’ll find site after site listing not just writers’ rejections but also rejections of famous artists, musicians, etc. Everyone in the world of art has to deal with them.

Not a fan of Moby-Dick? Lord of the Flies? Then you might find some kindred spirits–or a good laugh–in some of the rejections your search will generate. Even novels and collections that we consider “classics” faced (sometimes brutal) rejection. The writers still tried again and again until they succeeded, proving that persistence pays off in this trade.

With that in mind, below are four lists of famous authors’ rejections. (There is overlap but each list adds another writer and/or interesting facts about the rejections. They’re all worth a look.) If you just got your first rejection, you’re feeling downtrodden, or you want reassurance that you’re not alone in this experience, check these out:

http://www.telegraph.co.uk/culture/books/booknews/10877825/The-rejection-letters-how-publishers-snubbed-11-great-authors.html

https://www.buzzfeed.com/stmartinspress/20-brilliant-authors-whose-work-was-initially-reje-7rut?utm_term=.ivdXyLjrpl#.ne0mGbrn85

http://www.chicagotribune.com/lifestyles/books/ct-prj-0722-rejection-letters-20120720-story.html

https://rejectionsrus.wordpress.com/category/famous-rejections/

Did you find any particularly uplifting? Amusing? Do you have some to add to the list? Feel free to discuss them in the comments. We look forward to hearing from you.

 

Designed by Stephanie Hoogstad circa 2011

Genres: Literary Cliques

(left: cover of Dragonflight, art by Michael Whelan and published by Del Rey; right: cover of Black Horses for the King, art by David Shannon and published by Del Rey)

Anne McCaffrey, best-selling author of the Dragonriders of Pern series, wandered outside of the science fiction genre to write her historical fantasy/Arthurian fiction novel Black Horses for the King.

Whether it specifies the length (novel versus short story), the kind of writing (prose versus poetry), or the content (romance versus fantasy), I’m not a fan of the “genre” concept. I find genres unnecessarily divisive. Nothing is ever that black-and-white. Nevertheless, genres are a prominent concept in writing and I must address the matter if I wish to discuss writing. I have too many thoughts on this subject to cover everything in one post, so I will present them in a new series of posts that I call the “Genres” series.

While genres can be used to organize literature, they also lead to heated debate among readers and writers. Every genre comes with its elitists, people who think the genre is superior to all others and, conversely, people who think the genre shouldn’t be considered literature. Some fans refuse to try other genres or refuse to admit that they read more than one genre. The results of this divisive attitude? Literary cliques and anxiety for writers.

This divide most clearly affects writers. If a writer mostly works in one genre, deviations risk drawing criticism and disapproval from fans. Beginning writers must be careful as to which genre they practice. Pedestrian and literary fiction, for example, are typically considered more worthy of pursuit than speculative fiction. Some writers can’t decide where to submit their work because it does not clearly fit into one genre alone.

But is any genre really superior to the others? Should writers stick with one genre and avoid cross-genre (hybrid) work? Should aspiring writers pursue literary fiction for the sake of building their reputation?

The short answer: no.

(left: cover of Harry Potter and the Sorcerer’s Stone, art by Mary GrandPré and published by Scholastic; right: cover of The Cuckoo’s Calling, artist unknown but published by Sphere)

Despite achieving fame in fantasy, J.K. Rowling has stepped outside the genre multiple times. Her crime fiction novel The Cuckoo’s Calling is notable because she published it under a pseudonym.

I’ve already covered passion driving work in my “Writing for Yourself” post. Now I want to revisit the necessity of variety. As readers and writers, we need to dip into several genres to broaden our horizons. Different genres teach us different things. The more diversely we read, the more we can grow as writers, intellectuals, and people.

I focus on speculative fiction, particularly fantasy, in what I write and what I read. However, it’s not the only genre into which I’ve delved. I adore books like Black Horses for the King by Anne McCaffrey, Little Women by Louisa May Alcott, and To Kill a Mockingbird by Harper Lee. This year, as part of my Master’s program, I’ve read a spectrum of literary fiction from Gogol and Chekhov to O’Connor and Boyle.

All that I’ve read has shaped me as a person. I owe my tolerance and sense of social justice to books like Harry Potter; my political stance can be traced back to Dr. Seuss; and my ever-expanding understanding of other cultures comes from writers likes Jhumpa Lahiri.

Just as importantly, reading and writing across genres have strengthened my skills as a writer. Dabbling into realistic fiction has proven especially fruitful, and crossing between realistic fiction and fantasy has added depth to my writing in both genres. Realistic fiction helps me with the technical side of writing fantasy. In return, fantasy gives me practice in world building.

The most notable change is in my dialogue. As recently as this academic year, my dialogue was one of my weakest points. It sounded unnatural and dragged the story down. (I can only think of one fantasy story I wrote last summer that does not fit this bill.) Then I read Flannery O’Connor for my Master’s program. O’Connor is well-known as a master of dialogue. She even inspired me to write realistic stories. My first try still requires a complete rewrite. Nevertheless, my dialogue improved tremendously. It was arguably the most salvageable aspect of that piece. The next story I wrote was also realistic fiction. Feedback on that work suggests that my dialogue continued to get better. As long as I don’t limit myself to one genre, I know my writing will remain on this upward trajectory.

Dividing literature is akin to dividing people; too much division and all you’ll have are narrow minds in a flat world.  Sometimes you have to force yourself outside of your comfort zone in order to grow. So go ahead, read a genre you don’t like. Write in an unfamiliar genre. After all, what do you have to lose?

 

Designed by Stephanie Hoogstad circa 2011

Welcome to The Writer’s Scrap Bin

This year has certainly begun differently than I had expected, than I suppose most people had expected. Political turmoil, social upheaval, violence, all to a degree even greater than our usual level of awareness. Everyone is at each other’s throats, verbally and physically, and neither the left nor the right is innocent of this accusation. It’s as if the Lamb has opened the first of the seven seals and the Apocalypse has commenced. (Pardon the Christian reference; I am not Christian myself but I have studied the Bible as literature and the Book of Revelation is becoming more and more appropriate.)

Now, more than ever, people of all backgrounds and affiliations need an escape. No matter our political views, our religions, our gender identity, our sexuality, our race, or our nationality, we all need the written word. Whether we are trying to hide from the world with Lestat’s latest exploits or we’re diving head-first into the abyss with The New York Times, fiction, non-fiction, poetry, society needs them all at hand so that we may keep our sanity intact and the facts straight.

Writing in this tumultuous climate is not that easy. News distracts us and makes us quake, either with fear or with rage. Reporters must tread lightly, lest they incur the wrath and censorship of authority figures. Fiction writers cannot discuss politics on Twitter without their novels being called into question and, in some cases, having people threaten to burn them. It’s enough to make anyone want to bury their heads in the sand and ignore the world being engulfed by flames.

I can’t guarantee that you’ll be able to escape the world here. I don’t want you to  use this blog as an excuse to put off writing. However, if you want to take a break and recharge with some constructive procrastination, dive right in.

I want all writers, experienced and novice, to relax and rejuvenate before returning to their deadlines. You can read my thoughts on writing, hot topics of the writing world, and the funny anecdotes or success stories behind famous authors and poets. You can even tell me what you want this blog to talk about (see the contact page).

Whether you need advice, support, or a little distraction from the task at hand, we welcome you with open arms. So come, explore this site and make yourself at home. Read more about this blog and who I am on the “about” page, and peruse the writing resources.

Keep an eye out for my next post, in which I will discuss the main theme driving this blog: writing for yourself first.

 

My personal logo, Designed by Stephanie Hoogstad circa 2011